Soviet Montage Movement: Kuleshov, Eisenstein, and Vertov (1924-1929)

1. Kuleshov’s workshop shapes a montage school

   Jan 1, 1924Labels: Lev Kuleshov, Kuleshov Workshop

   • Mr West
   • Kuleshov effect

2. Kuleshov releases *Mr. West* to test ideas

   Jan 1, 1924Labels: Lev Kuleshov, Mr West

   • Mr West

3. Vertov’s *Kino-Eye* advances documentary montage

   Jan 1, 1924Labels: Dziga Vertov, Kino-Eye

   • BFI
   • Kino Eye

4. Eisenstein debuts with *Strike* in Leningrad

   Feb 1, 1925Labels: Sergei Eisenstein, Strike film

   • Strike

5. *Strike* reaches wider Soviet audiences

   Apr 28, 1925Labels: Strike film, Soviet audiences

   • Strike

6. *Battleship Potemkin* first screened at Bolshoi

   Dec 21, 1925Labels: Battleship Potemkin, Odessa Steps

   • Potemkin
   • Britannica

7. Pudovkin’s *Mother* refines narrative montage

   Jan 1, 1926Labels: Vsevolod Pudovkin, Mother film

   • Mother
   • Britannica

8. Moscow premiere of *Battleship Potemkin*

   Jan 18, 1926Labels: Battleship Potemkin, Moscow Premiere

   • Potemkin
   • BFI

9. Pudovkin’s *End of St. Petersburg* marks 1917 decade

   Jan 1, 1927Labels: Vsevolod Pudovkin, End of

   • St Petersburg

10. Eisenstein’s *October* expands historical montage spectacle

    Jan 1, 1928Labels: Sergei Eisenstein, October film

    • October

11. Vertov’s *The Eleventh Year* ties montage to industrial change

    Jan 1, 1928Labels: Dziga Vertov, The Eleventh

    • P FF Kumu

12. *Man with a Movie Camera* premieres, closing the movement’s peak

    Jan 8, 1929Labels: Man with, Dziga Vertov

    • IMDb
    • BFI
    • MWMC