Degas begins intensive monotype experimentationJan 1, 1875Labels: Edgar Degas, MonotypeMoMA PressNew Yorker
Pastel laid over monotype emerges as signature methodJan 1, 1876Labels: Edgar Degas, Monotype, PastelMus e dTheCollector
Brothel monotypes drive dark-field tonal innovationJan 1, 1877Labels: Edgar Degas, Brothel InteriorsNew YorkerMoMA Press
Café-concert monotype–pastel hybrids shown publiclyApr 1, 1877Labels: Edgar Degas, Caf -ConcertWikipedia AmbassadeursWikipedia Les Choristes
Wax sculpture and mixed-media realism: Little Dancer shownApr 1, 1881Labels: Little Dancer, Mixed MediaMus e dSotheby s
Fixative and paste-like pastel handling expands layeringJan 1, 1882Labels: Fixative, Pastel TechniqueArtists NetworkArtists Network
Eighth Impressionist Exhibition highlights bather pastelsMay 1, 1886Labels: Eighth Impressionist, BathersWikipedia The TubChristie s
Commercially presented bather series consolidates the motifJan 1, 1888Labels: Bather Series, Commercial MarketWikipedia After theChristie s
Tracing-paper transfer method enables iterative re-compositionJan 1, 1890Labels: Tracing Paper, RecompositionMet Museum JMus e d
Fixative perfected for matte finish via Luigi ChialivaJan 1, 1890Labels: Fixative, Luigi ChialivaMet Museum JArtDaily
Late nude pastels intensify layering and surface densityJan 1, 1890Labels: Late Nudes, PastelWikipedia After theChristie s
Pastel–watercolor–charcoal mixtures broaden mark vocabularyJan 1, 1890Labels: Mixed Media, CharcoalNGA StoryArtists Network
Orsay documents layered tracing-paper pastel with superimposed fixesJan 1, 1900Labels: Mus e, Tracing PaperMus e dMet Museum J
Late dancer pastels move toward assertive abstractionJan 1, 1903Labels: Dancer Pastels, AbstractionExperiment StationHektoen Int
Degas’s “late technique” consolidated by end of decadeJan 1, 1910Labels: Late Technique, DegasMus e dArtists Network