Battle of San Romano becomes Uccello’s subjectJun 1, 1432Labels: Battle of, Paolo UccelloNational GalleryUffizi
San Romano triptych panel painted for FlorenceJan 1, 1435Labels: San Romano, UffiziUffiziNational Gallery
Uccello paints Hawkwood monument in perspectiveJan 1, 1436Labels: Hawkwood monument, Florence CathedralDuomo FirenzeWikipedia
London panel shows a cavalry charge in depthJan 1, 1438Labels: London panel, Niccol daNational GalleryNG Catalogue
Louvre panel completes the battle narrative sequenceJan 1, 1440Labels: Louvre panel, San RomanoUffiziWikipedia
Noah frescoes test perspective in a narrative sceneJan 1, 1440Labels: Noah frescoes, Santa MariaWikipediaTravelTuscany
Uccello paints Duomo clock with prophet headsJan 1, 1443Labels: Duomo clock, prophet headsU M LibraryWGA
Stained-glass designs extend his spatial thinkingJan 1, 1443Labels: Stained-glass cartoons, Florence domeDuomo MagazineCorpus Vitrearum
Perspective drawings formalize Uccello’s experimentsJan 1, 1450Labels: Perspective drawings, chalice studyWikimediaNatGalleries
Urbino commission culminates in a perspective-heavy predellaJan 1, 1465Labels: Urbino predella, Profanation ofCavalliniWHE
Closing legacy: perspective experiments shape later Renaissance artDec 31, 1465Labels: Uccello legacy, Renaissance influenceNational GalleryWHE