Glasgow School of Art film experiments beginJan 1, 1933Labels: Glasgow School, Student filmsWikipediaTIFF
Grierson recruits McLaren to the GPO Film UnitJan 1, 1936Labels: John Grierson, GPO FilmTIFFWikipedia
Love on the Wing made as airmail advertisementJan 1, 1938Labels: Love on, GPO FilmNFB CollectionWikipedia
Cameraless animation developed in New York periodJan 1, 1940Labels: New York, Cameraless filmTIFFWikipedia
Boogie-Doodle links abstract visuals to jazz rhythmJan 1, 1940Labels: Boogie-Doodle, Visual musicWikipediaTIFF
NFB animation studio established under McLarenJan 1, 1942Labels: NFB animation, Studio foundingTIFFWikipedia
Hen Hop advances direct-on-film character abstractionJan 1, 1942Labels: Hen Hop, Direct-on-filmWikipediaCriterion
Begone Dull Care pairs drawn film with jazz improvisationJan 1, 1949Labels: Begone Dull, Evelyn LambartWikipediaPompidou
Neighbours uses pixilation for an anti-war parableJan 1, 1952Labels: Neighbours, PixilationNFB HistoryWikipedia
Blinkity Blank wins Cannes Short Film Palme d’OrJan 1, 1955Labels: Blinkity Blank, Cannes PalmeWikipediaNFB History
Rythmetic turns numerals into a nonverbal lessonJan 1, 1956Labels: Rythmetic, Educational filmWikipediaNFB Collection
A Chairy Tale blends pixilation and object animationJan 1, 1957Labels: A Chairy, Claude JutraWikipediaNFB Collection
Pas de deux multiplies dance movement through optical printingJan 1, 1968Labels: Pas de, Optical printingNFB CollectionWikipedia
Synchromy perfects “what you see is what you hear”Jan 1, 1971Labels: Synchromy, Sound-imageNFB CollectionWikipedia
Ballet Adagio reframes ballet technique through slow motionJan 1, 1972Labels: Ballet Adagio, Slow motionNFB CollectionXc ntric
Narcissus reworks Greek myth as dance filmJan 1, 1983Labels: Narcissus, Dance filmWikipediaNFB Collection
McLaren dies, leaving a major experimental animation legacyJan 27, 1987Labels: Norman McLaren, LegacyLA TimesWikipedia