Roach enters New York’s 52nd Street sceneDec 18, 1943Labels: Max Roach, 52nd Street, New YorkJazzDiscoRoach Bio
Ride-cymbal timekeeping becomes the bebop baseJan 1, 1944Labels: Ride Cymbal, Kenny Clarke, TimekeepingRoach BioKenny ClarkeEncyclopedia
Early bebop recorded with Coleman Hawkins orchestraFeb 16, 1944Labels: Coleman Hawkins, WOR Studios, Max RoachJazzDiscoRainbow MistWoodyn You
“Dropping bombs” accents define modern drum compingJan 1, 1945Labels: Bass Drum, Dropping Bombs, CompingEncyclopediaRoach BioKenny Clarke
Town Hall concert showcases Roach’s driving bebop timeJun 22, 1945Labels: Town Hall, Dizzy Gillespie, Charlie ParkerJazzTimesTown Hall LP
Savoy studio session sets a bebop drum templateNov 26, 1945Labels: Savoy Records, Charlie Parker, WOR StudiosKo KoNow s TimeJazziz
Roach’s concept spreads through New York’s bebop networkJan 29, 1946Labels: Max Roach, New York, Rhythm SectionJazzDiscoRoach Bio
Dial recordings show Roach’s mature bebop partnershipOct 28, 1947Labels: Dial Records, Charlie Parker, Max RoachHatHut NotesAllMusicRoach Bio
Melodic drumming becomes part of bebop’s identityJan 1, 1948Labels: Melodic Drumming, Drum Set, Max RoachRoach Bio
Bebop drumming vocabulary sets up hard bop’s rhythm sectionJan 1, 1952Labels: Hard Bop, Bebop Vocabulary, Rhythm SectionRoach Bio
Post-innovation outcome: bebop drumming becomes “modern” standardDec 31, 1952Labels: Modern Drumming, Max Roach, Swing TransitionRoach BioEncyclopedia
Roach’s “Ko-Ko” drum break gains landmark statusJan 1, 2002Labels: Ko-Ko, Library of, National RecordingKo KoKo Ko IT