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Updated:Apr 23, 2026
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Japanese Postwar Documentary Tradition (1950–1980)

Japanese Postwar Documentary Tradition (1950–1980)

  1. Iwanami Productions founded for educational documentaries

    Labels: Iwanami Productions, Iwanami Shoten
  2. Hani’s child-centered observational style breaks through

    Labels: Susumu Hani, Children Who
  3. Tsuchimoto joins Iwanami, linking politics and craft

    Labels: Noriaki Tsuchimoto, Iwanami Productions
  4. Hani’s ‘pseudo-documentary’ style reaches feature cinema

    Labels: Susumu Hani, Bad Boys
  5. ATG founded, expanding non-studio film distribution

    Labels: Art Theatre, ATG
  6. Tsuchimoto’s ‘Exchange Student’ model of activist independence

    Labels: Noriaki Tsuchimoto, Exchange Student
  7. Report from Haneda documents protest and counters police claims

    Labels: Shinsuke Ogawa, Report from
  8. Ogawa Productions founded and commits to movement filmmaking

    Labels: Ogawa Productions, Ogawa
  9. Summer in Sanrizuka launches a long protest-film series

    Labels: Summer in, Ogawa Productions
  10. Prehistory of the Partisans films politics from inside the barricades

    Labels: Prehistory of, Noriaki Tsuchimoto
  11. Sanrizuka: The Three Day War embraces ‘bullet film’ urgency

    Labels: Sanrizuka The, Ogawa Productions
  12. Minamata begins Tsuchimoto’s landmark industrial-disaster cycle

    Labels: Minamata The, Noriaki Tsuchimoto
  13. Narita, Peasants of the Second Fortress records a turning point

    Labels: Narita Peasants, Ogawa
  14. Minamata Revolt documents negotiation and organized patient activism

    Labels: Minamata Revolt, Noriaki Tsuchimoto
  15. Sanrizuka: Heta Village shifts from battles to ‘village time’

    Labels: Sanrizuka Heta, Ogawa Productions
  16. Ogawa Pro relocates to Magino, signaling a new rural-documentary phase

    Labels: Ogawa Productions, Magino
  17. The Shiranui Sea extends Minamata into everyday aftermath

    Labels: The Shiranui, Noriaki Tsuchimoto