Iwanami Productions founded for educational documentariesJan 1, 1950Labels: Iwanami Productions, Iwanami ShotenIwanami
Hani’s child-centered observational style breaks throughJan 1, 1956Labels: Susumu Hani, Children WhoYIDFFACMIIwanami
Tsuchimoto joins Iwanami, linking politics and craftJan 1, 1956Labels: Noriaki Tsuchimoto, Iwanami ProductionsTsuchimotoSIGLO
Hani’s ‘pseudo-documentary’ style reaches feature cinemaJan 1, 1961Labels: Susumu Hani, Bad BoysBadBoysBAMPFA
Tsuchimoto’s ‘Exchange Student’ model of activist independenceJan 1, 1965Labels: Noriaki Tsuchimoto, Exchange StudentTsuchimotoSIGLO
Report from Haneda documents protest and counters police claimsJan 1, 1967Labels: Shinsuke Ogawa, Report fromYIDFFHFA
Ogawa Productions founded and commits to movement filmmakingJan 1, 1968Labels: Ogawa Productions, OgawaICACinReal
Summer in Sanrizuka launches a long protest-film seriesJan 1, 1968Labels: Summer in, Ogawa ProductionsCinRealICA
Prehistory of the Partisans films politics from inside the barricadesJan 1, 1969Labels: Prehistory of, Noriaki TsuchimotoNipponConnYIDFF
Sanrizuka: The Three Day War embraces ‘bullet film’ urgencyJan 1, 1970Labels: Sanrizuka The, Ogawa ProductionsICATIDF
Minamata begins Tsuchimoto’s landmark industrial-disaster cycleJan 1, 1971Labels: Minamata The, Noriaki TsuchimotoMinamataYIDFF
Narita, Peasants of the Second Fortress records a turning pointJan 1, 1971Labels: Narita Peasants, OgawaIDFAICA
Minamata Revolt documents negotiation and organized patient activismJan 1, 1973Labels: Minamata Revolt, Noriaki TsuchimotoMoMIYIDFF
Sanrizuka: Heta Village shifts from battles to ‘village time’Jan 1, 1973Labels: Sanrizuka Heta, Ogawa ProductionsJapanSocYIDFF
Ogawa Pro relocates to Magino, signaling a new rural-documentary phaseJan 1, 1974Labels: Ogawa Productions, MaginoICAJeuPaume
The Shiranui Sea extends Minamata into everyday aftermathJan 1, 1975Labels: The Shiranui, Noriaki TsuchimotoShiranuiMinamata