Byzantine-Gothic models dominate Tuscan altarpiecesApr 15, 1285Labels: Tuscan altarpieces, Byzantine modelsUffizi DuccioUMich VRC
Giotto begins Scrovegni (Arena) Chapel fresco cycleMar 25, 1303Labels: Scrovegni Chapel, GiottoScrovegni ChapelArena Chapel notes
Scrovegni Chapel is consecrated, frescoes largely completeMar 25, 1305Labels: Scrovegni Chapel, GiottoArena Chapel notesScrovegni Chapel
Giotto’s Ognissanti Madonna advances Florentine panel paintingJan 1, 1310Labels: Ognissanti Madonna, GiottoUffizi guideUMich VRC
Giotto establishes major fresco cycles at Santa CroceJan 1, 1320Labels: Santa Croce, GiottoBritannica
Florence appoints Giotto master of cathedral worksApr 14, 1334Labels: Florence cathedral, GiottoWGA Campanile
Maso di Banco frescoes show Giotto’s influence at Santa CroceJan 1, 1335Labels: Maso di, Santa CroceWGA Maso
Giotto dies, leaving a strong Florentine workshop legacyJan 1, 1337Labels: Giotto, Florentine workshopUMich VRCBritannica
Taddeo Gaddi frescoes expand Giottesque storytellingJan 1, 1338Labels: Taddeo Gaddi, Baroncelli ChapelBaroncelli Chapel
Bernardo Daddi paints Orsanmichele’s revered MadonnaJan 1, 1347Labels: Bernardo Daddi, OrsanmicheleOrsanmicheleFlorence As It
Black Death strikes Florence, disrupting art and patronageMar 1, 1348Labels: Black Death, FlorenceBlack Death ItalyPlague Art
Orcagna’s Strozzi Altarpiece marks a mature mid-century synthesisJan 1, 1357Labels: Orcagna, Strozzi AltarpieceWikimedia fileEBSCO Orcagna
Orcagna completes the Orsanmichele tabernacle as a civic-religious monumentJan 1, 1359Labels: Orcagna, Orsanmichele tabernacleWGA TabernacleOrsanmichele