Lyotard frames skepticism toward grand historiesJan 1, 1979Labels: Jean-Fran ois, The PostmodernBritannicaSEP
Rushdie’s Midnight’s Children popularizes the modeJan 1, 1981Labels: Salman Rushdie, Midnight's ChildrenBooker PrizeWikipedia
Swift’s Waterland models history as contested narrativeJan 1, 1983Labels: Graham Swift, WaterlandMorgan LibraryWikipedia
Barnes’s Flaubert’s Parrot blurs biography and inventionJan 1, 1984Labels: Julian Barnes, Flaubert's ParrotWikipediaBritannica
McHale systematizes postmodern fiction’s strategiesJan 1, 1987Labels: Brian McHale, Postmodernist FictionRoutledge
Hutcheon defines “historiographic metafiction”Jan 1, 1988Labels: Linda Hutcheon, A PoeticsRoutledgeWikipedia
Byatt’s Possession turns archival research into plotJan 1, 1990Labels: A S, PossessionBooker PrizeWikipedia
Jameson contests postmodernism’s cultural meaningNov 1, 1990Labels: Fredric Jameson, PostmodernismDuke UPWikipedia
Ondaatje’s English Patient reworks war history through memoryJan 1, 1992Labels: Michael Ondaatje, The EnglishBritannicaBooker Prize
Sebald’s The Emigrants blends documents and narrationJan 1, 1996Labels: W G, The EmigrantsWikipediaKirkus
Atwood’s Alias Grace spotlights evidentiary limitsSep 1, 1996Labels: Margaret Atwood, Alias GraceMorgan LibraryWikipedia
The category stabilizes in late-1990s criticismJan 1, 2000Labels: Historiographic metafiction, 1990s criticismWikipediaRoutledge