‘O Dreamland’ completes as early Free Cinema modelJan 1, 1953Labels: Lindsay Anderson, O DreamlandBFI PlayerWikipedia
First Free Cinema screening at the National Film TheatreFeb 5, 1956Labels: National Film, Free CinemaWikipediaScribd PDFWikipedia
‘Momma Don’t Allow’ captures youth jazz-club cultureFeb 5, 1956Labels: Momma Don, Karel ReiszWikipediaWikipedia
‘Together’ brings an East End city-symphony approachFeb 5, 1956Labels: Together, Lorenza MazzettiWikipediaBFI Player
Second Free Cinema programme expands beyond BritainSep 9, 1956Labels: Lionel Rogosin, On theChronomediaWikipediaWikipedia
Third programme ‘Look at Britain!’ centers work and placeMay 25, 1957Labels: Look at, Every DayBFI ScreenonlineKQEK review
‘Every Day Except Christmas’ documents Covent Garden laborMay 25, 1957Labels: Every Day, Covent GardenBFI ScreenonlineWikipedia
‘Nice Time’ shows London nightlife without narrationMay 25, 1957Labels: Nice Time, Claude GorettaWikipediaBFI Screenonline
Fourth programme spotlights Polish ‘Black Series’ documentariesSep 3, 1958Labels: Polish Black, Free CinemaCompanion PDFWikipedia
Fifth programme previews the emerging French New WaveSep 7, 1958Labels: French New, TruffautCompanion PDFWikipediaWikipedia
‘We Are the Lambeth Boys’ films working-class teenagers’ voicesMar 18, 1959Labels: We Are, Karel ReiszBFI PlayerWikipedia
‘Enginemen’ documents rail workers amid diesel transitionMar 18, 1959Labels: Enginemen, Michael GrigsbyBFI filmBFI newsIndependent
Free Cinema’s final NFT programme closes the seriesMar 22, 1959Labels: Free Cinema, National FilmWikipediaScribd PDFBFI news
‘Terminus’ carries Free Cinema methods into early 1960sJan 1, 1961Labels: Terminus, John SchlesingerScribd biblio