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Updated:Apr 23, 2026
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Critical Reception of Impressionism in the French Press (1874–1900)

Critical Reception of Impressionism in the French Press (1874–1900)

  1. Zola begins Salon criticism in the press

    Labels: mile Zola, Mon Salon
  2. Louis Leroy coins “Impressionists” in Le Charivari

    Labels: Louis Leroy, Le Charivari
  3. Second Impressionist exhibition draws sharper hostility

    Labels: Second exhibition, Le Figaro
  4. Rivière publishes L’Impressionniste to defend the group

    Labels: Georges Rivi, L Impressionniste
  5. Third exhibition brands itself “Exposition des Impressionnistes”

    Labels: Third exhibition, Exposition des
  6. Fifth exhibition faces negative coverage and poor conditions

    Labels: Fifth exhibition, rue des
  7. Sixth exhibition returns to boulevard des Capucines

    Labels: Sixth exhibition, boulevard des
  8. Seventh exhibition receives comparatively positive French press

    Labels: Seventh exhibition, rue Saint-Honor
  9. Final Impressionist exhibition spotlights Seurat and Neo-Impressionism

    Labels: Eighth exhibition, Georges Seurat
  10. Caillebotte dies, leaving collection to the French state

    Labels: Gustave Caillebotte, Bequest
  11. French state formally accepts a selection of the bequest

    Labels: French state, Caillebotte bequest
  12. Caillebotte Room opens at the Musée du Luxembourg

    Labels: Caillebotte Room, Mus e