Conceptual Art in New York (1965–1975)

1. 9 Evenings links art, performance, and technology

   Oct 13, 1966Labels: 9 Evenings, 69th Regiment, Engineers

   • 9 Evenings
   • E A T

2. LeWitt defines Conceptual Art in Artforum

   Jun 1, 1967Labels: Sol LeWitt, Artforum

   • ND Archives
   • Artforum reprint

3. Dwan Gallery’s first New York language survey

   Jun 3, 1967Labels: Dwan Gallery, Language to

   • CAA Reviews

4. Lippard and Chandler coin “dematerialization”

   Feb 1, 1968Labels: Lucy Lippard, John Chandler

   • Maine Arts J

5. Morris’s “Anti-Form” reframes making as process

   Apr 1, 1968Labels: Robert Morris, Anti-Form

   • Yale Art
   • Antiform

6. Siegelaub and Wendler publish the “Xerox Book”

   Dec 1, 1968Labels: Seth Siegelaub, Xerox Book

   • Paula Cooper

7. “9 at Castelli” showcases post-Minimal experiments

   Dec 4, 1968Labels: Leo Castelli, 9 at

   • Castelli

8. Art Workers’ Coalition forms and targets museum power

   Jan 1, 1969Labels: Art Workers, MoMA

   • AWC
   • Reina Sof a

9. Siegelaub’s “January 5–31, 1969” makes catalogue central

   Jan 5, 1969Labels: Seth Siegelaub, January 5

   • e artexte

10. Morris debuts Continuous Project Altered Daily

    Mar 1, 1969Labels: Robert Morris, Continuous Project

    • Castelli
    • UMich VRC

11. MoMA’s “Information” brings Conceptual Art into the museum

    Jul 2, 1970Labels: MoMA, Information

    • MoMA
    • MoMA Archives

12. Burnham’s “Software” exhibition expands Conceptual systems thinking

    Sep 16, 1970Labels: Kynaston McShine, Software

    • Open Library
    • Monoskop

13. Siegelaub and Projansky publish an artists’ rights contract

    Jan 1, 1971Labels: Seth Siegelaub, Artists Rights

    • Artist Contract

14. Lippard’s “Six Years” consolidates the 1966–1972 network

    Jan 1, 1973Labels: Lucy Lippard, Six Years

    • UC Press