Byzantine Cloisonné Enamel and Metalwork Workshops (9th–12th centuries)

1. Second Iconoclasm disrupts figural workshop production

   Jan 1, 814Labels: Second Iconoclasm, Byzantine workshops

   • Britannica
   • Met

2. Fieschi Morgan Staurotheke produced for private devotion

   Jan 1, 825Labels: Fieschi Morgan, Staurotheke, Constantinople

   • Met Object
   • Smarthistory Staurotheke

3. Restoration of icons renews demand for enamel iconography

   Mar 11, 843Labels: Icon restoration, Ecclesiastical patronage

   • Britannica
   • Met Iconoclasm

4. Reliquary pectoral crosses popularize cloisonné enamel

   Jan 1, 850Labels: Pectoral crosses, Reliquaries

   • V A Collection
   • Met Byzantine

5. Beresford Hope Cross exemplifies early medieval enamelwork

   Jan 1, 900Labels: Beresford Hope, Italo-Byzantine

   • V A Beresford
   • V A Highlights

6. Cross dated 945–959 incorporated into Limburg Staurotheke

   Jan 1, 945Labels: Limburg Staurotheke, Constantine VII

   • Dommuseum Limburg
   • Wikipedia Limburg

7. Imperial court patronage strengthens Constantinopolitan workshops

   Jan 1, 960Labels: Macedonian court, Constantinople

   • Met Byzantine
   • Britannica Macedonian

8. Limburg Staurotheke created in Constantinople

   Jan 1, 975Labels: Limburg Staurotheke, Constantinople

   • Di zesan Limburg
   • Britannica Staurotheke

9. Pala d’Oro first commissioned from Constantinople

   Jan 1, 976Labels: Pala d, Venice

   • San Marco Pala
   • Wikipedia Pala

10. Khakhuli Triptych aggregates Georgian and Constantinopolitan enamels

    Jan 1, 1100Labels: Khakhuli Triptych, Georgia

    • Wikipedia Khakhuli
    • UPSound Digital

11. Pala d’Oro expanded with Constantinopolitan enamel cycle

    Jan 1, 1105Labels: Pala d, Constantinople

    • Wikipedia Pala
    • UVic Thesis

12. Fourth Crusade looting redistributes Byzantine enamelwork

    Apr 13, 1204Labels: Fourth Crusade, Constantinople

    • Britannica 1204
    • Wikipedia Pala