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Updated:Apr 23, 2026
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British postmodern fiction (1960–2000)

British postmodern fiction (1960–2000)

  1. Experimental fiction breaks into the mainstream (1965)

    Labels: John Fowles, The Magus
  2. B. S. Johnson publishes a "book in a box" (1969)

    Labels: B S, The Unfortunates
  3. Metafiction enters historical fiction (1969)

    Labels: John Fowles, The French
  4. Muriel Spark’s thriller-like minimalism (1970)

    Labels: Muriel Spark, The Driver
  5. John Berger wins Booker with an experimental novel (1972)

    Labels: John Berger, G
  6. J. G. Ballard tests the limits of provocation (1973)

    Labels: J G, Crash
  7. Rushdie links national history to metafiction (1981)

    Labels: Salman Rushdie, Midnight s
  8. Graham Swift reframes history as storytelling (1983)

    Labels: Graham Swift, Waterland
  9. Julian Barnes popularizes the "fact/fiction" collage (1984)

    Labels: Julian Barnes, Flaubert s
  10. Angela Carter fuses feminism and fantasy (1984)

    Labels: Angela Carter, Nights at
  11. Winterson’s debut reshapes the coming-of-age novel (1985)

    Labels: Jeanette Winterson, Oranges Are
  12. Rushdie’s controversy shows fiction’s public stakes (1988–1989)

    Labels: Salman Rushdie, The Satanic
  13. Byatt’s *Possession* mainstreams literary pastiche (1990)

    Labels: A S, Possession
  14. Amis pushes time structure to moral extremes (1991)

    Labels: Martin Amis, Time s
  15. Winterson’s *Written on the Body* destabilizes identity (1992)

    Labels: Jeanette Winterson, Written on
  16. Ishiguro’s dream-logic novel tests postmodern patience (1995)

    Labels: Kazuo Ishiguro, The Unconsoled
  17. Swift’s Booker win signals a turn toward "post-postmodern" realism (1996)

    Labels: Graham Swift, Last Orders
  18. Barnes’s *England, England* closes the century with a simulation satire (1998)

    Labels: Julian Barnes, England England